Inside Baseball

1986 Topps TradedMemory is an untrustworthy thing. Large parts of my life are stored in my brain as undifferentiated blocks, marked by images of the place where I lived and faces of my family and friends at the time. I have to be reminded of specific events to recall them, sparked by an old photograph or the retelling of a story. I wonder if the version of the past I hold in my mind is historically accurate, or just an educated guess based on what I must have been doing given a certain age and location.

For about seven years of my life, many of those images involve me sitting on the brown carpeting of my childhood bedroom, hunched over boxes of baseball cards. This period stretched from when I started playing Little League at age nine until I got my driver’s license at 16. Of course, I did other things in this time period. Playing “Lot Ball,” a bastardized version of baseball that was essentially a home run derby with tennis balls in the empty lot across the street from my house; pickup basketball in the driveway; marathon sessions of Mike Tyson’s Punch Out and Zelda on the Nintendo. But if I picture myself alone, it’s almost always involves shuffling and sorting the stacks of cards I kept in white, corrugated cardboard boxes in my bedroom.

This sorting process turned into a kind of Zen ritual that only a kid can surrender himself to, a single-minded immersion that escapes me now as a perpetually distracted adult. I could do this for hours, usually after pedaling my bike to the drugstore to spend my allowance on a new box of unopened wax packs. I liked to assemble complete sets, subject to the luck of the draw, which meant that each new haul required hours of sorting by the sequential number of the back of the cards. I made meticulous lists of the cards I still needed on loose-leaf notebook paper and kept them in three-ring binders.

Despite how much care I put into collating my card collection, it languished in my old bedroom closet at my parents’ house until they retired and sold the house last year. When they moved I hauled them back with me to Chicago, where they landed in my son Carter’s bedroom.

It took me a few weeks after I gave them to Carter to get over my initial instinct of treating each card like a sacred artifact. The very reason they sat in a closet until I was 34 was that I knew they were worthless, ruined by the iron market forces of supply and demand. My collection was compiled from roughly 1986 to 1993, during the era when as many as four major companies were printing millions of cards while every kid and greedy adult, burned by memories of Mickey Mantle rookies mangled in bicycle spikes, preserved each and every card like it was the personal stationery of Abner Doubleday himself.

I finally let go and let Carter do what he wanted with my cards, which at first was a lot of what I expected: flipping through all of the sets and asking a million questions about which player this and what player that. But after this initial discovery phase he started doing something that surprised me (maybe just because I never thought of it as a kid).

One by one, he takes each set, sorts them into teams and lays them out on the floor, arranged like a real field with players in position according to the cards. Then he acts out whole games, picking up the team in the field and laying out the opponent every three outs. I’m not sure of his logic for determining hits and outs; it’s part Strat-o-Matic, part pickup game. He stands by home plate and walks into the field, holding his hand up to track the flight of a batted ball. Somehow to him, it all makes sense.

He keeps scoresheets in his jagged, first-grader handwriting, with batting lineups and tally marks for the score. A few weeks ago, I watched him work on one from a 1986 Topps Traded set. I cringed when I saw him handling the Barry Bonds and Will Clark rookie cards, but I was more interested in seeing his mind work as he jotted the names down on a notepad. On the surface, collecting baseball cards is an extension of fandom, another way to connect with the game, but it’s really about building an interior world, ranking and sorting and organizing players according to the way you see fit.

I meant to ask Carter about what he was doing with the lineup written on that piece of paper, with its somewhat dubious Murderer’s Row of Kurt Stillwell, Will Clark and Billy Sample, but he was acting up that night and we put him to bed early. Maybe it’s better that I don’t know. I’m starting to see flashes of a sulky teenager in him already, and if he’s anything like me he’ll soon be spending more and more time in his own private world. Maybe he wouldn’t want to tell me anyway.

Parenting is a constant exercise in finding connections to your own past through your kids. “This thing I created must be like me!” I keep trying to find those links in the baseball cards. Maybe Carter is into them because they were mine. Maybe there is no other explanation than that he’s a seven-year-old kid who likes baseball.

When I see him sorting those cards, or when I shuffle through them myself, I sometimes feel a tightness in my chest and the beginnings of tears welling up behind my eyes. I don’t know where it comes from; it’s not like my baseball cards represent anything unhappy in my life. I collected them in a world where I was most content, crouched by myself and mostly inside my own mind, the place where I’m most comfortable today.

The school year ended last week for Carter and my three-year-old daughter, Sadie. With that came home two backpacks full of the crayon drawings, photocopied sheets of math problems and notebooks full of mostly illegible but promising-looking handwriting. As I sorted the detritus of a completed year of first grade and preschool, that same feeling I get from looking at my baseball cards caught in the back of my throat, welling up in my sinuses and making me take a few startled, deep breaths. It’s not unhappiness, I realize, but the familiar, suffocating sentimentality that sneaks up on me sometimes. My children have graduated from another stage in their lives, each a step closer to the day they’ll no longer need my help.

I continued to empty out the backpacks, sorting the junk from the particularly funny drawings and assignments that I’ll save in two file folders with their name and school year written on the front. I’ll stack these folders high in their closets, where they’ll stay until they move out for good. Maybe they’ll decide to take it all with them; maybe they’ll say they don’t want it. Either way, I probably won’t have the courage to sort through it again. Those folders will stay perched in their closets like my baseball cards occupied a corner of my old bedroom, boxes of colorful memories from happy times that somehow make me incredibly sad as they recede into the distance.

The Grind

Earlier this month, I spent a Saturday in bed with a fever, an aching body and a queasy stomach, watching soccer and sitcom reruns on basic cable. I felt better the next day, but not before I passed it on to the rest of my family. One by one, they went down throughout the next week, each getting progressively more sick. First, Sadie had a fever for two days, and then Carter missed a whole week of school. Debbie got it so bad it turned out to be full-blown strep throat. My penance for slipping by relatively unscathed was missing two days of work myself to stay home and take care of the rest of them, running up and down the stairs to dole out Tylenol and Gatorade.

The payback hit its peak on the following Thursday night. Debbie was spending her second night unable to get out of bed, and I was trying to put both kids to bed at the same time. Sadie was feeling better by then, but unfortunately couldn’t shake her most troublesome symptom of being three years old. Carter was still running a fever, and both of them were in a contest to see who could be the neediest.

It was extremely windy outside, and the aging power lines in our neighborhood couldn’t handle it. Slowly, the lights in each room flickered, dimming lower each time until finally, a transformer at the end of the block blew and the house went black. The crying started in earnest, and my night had just begun.

Parenting is a grind. I know that’s not revealing any great secret, because anybody can tell you how hard it is. But you don’t really accept that until you’re staggering through the steady, day-after-day work of it. Getting dressed in the morning. Walking the dog. Breakfast. Packing lunches for school. The drop-offs. The pick-ups. Walking the dog again. The dinner and the homework and the baths. The bedtime stories interrupted when your seven-year-old has an urgent question about how to calculate a week into dog years. Meanwhile, you’re doing all of this while you and your spouse both work full-time and do all the other things to keep a household running. It’s death by a thousand sippy cups.

All of this makes some mighty good excuse-making when you also fancy yourself as a writer. I look at this website and see that I haven’t written anything new in months, and my best explanation is to shrug and say, “I have kids.” And really, there’s not much more to it than that. But underneath that very valid reason is the creeping feeling that it’s also a cop out, a persistent reminder that I’m not really as committed to this writing thing as I make myself out to be.

I went to the South By Southwest Interactive conference in Austin, Texas the weekend after we were all sick. Now that I have a job in social media it was technically for work, but I’d been looking forward to it as a much-needed break for myself. This was my third trip to SXSW, and while I spent most of the time at panels related to my job, I knew from past conferences that I should take a break and pick out a few just for fun.

On the second-to-last day of the conference, I attended a panel on personal storytelling hosted by Kahlil Ashanti, an actor and comedian, and Michael Margolis, an entrepreneur and writer. Their main idea was that since we’re constantly sharing our lives online anyway, we need to learn how to tell our personal story in a more compelling way by writing about what matters to us the most.

This panel touched a nerve with me, especially since I’ve been floundering with my personal writing here. Besides making excuses about not having enough time, I worry that my schtick has worn thin. At a certain point, most parents realize that nobody wants to see every single snapshot of their kids, or hear every story about how they mispronounce “movie” as “moobie.” So why would anyone want to read my 1,000-word essays about buying my son a baseball glove?

I think about this a lot, and I’ve considered starting a new site to write about something else like sports or politics or books. But it never feels right, mostly because it’s not what I care about the most. In the storytelling panel, Kahlil called this the Give a Shit Factor. “If you’re telling us something and it doesn’t mean the world to you, we’re not going to care,” he said.

I don’t write about my family because I want to share our story, the way you might want to share your opinions on baseball or politics. I write about my life because I’m trying to figure it out for myself. That’s not to say I don’t ever want to write about other things, but even we I do write about something like my childhood idol or a murder that happened in my hometown, the story is partly about me too. I take what little time I have left at the end of each day to scribble something down and hope it helps me understand my world a little better. Without that personal element, I’m wasting my time, and I’m probably wasting yours too.

When I get this way, thinking about how hard it is to manage all this, I always come back to what David Foster Wallace said in his commencement speech at Kenyon College in 2005 (known as the “This is Water” speech):

The really important kind of freedom involves attention, and awareness, and discipline, and effort, and being able truly to care about other people and to sacrifice for them, over and over, in myriad petty little unsexy ways, every day. That is real freedom. The alternative is unconsciousness, the default-setting, the “rat race” — the constant gnawing sense of having had and lost some infinite thing.

The week after I got back from SXSW, I started to feel sick again. I soon found out that I had strep throat too, the real payback for getting everyone else sick the first time. I missed another day of work and felt positively awful until the antibiotics kicked in. I was probably more of a baby about it than I want to admit, but Debbie took care of me just like I took care of her and the kids before my trip. But what else would we be doing? The alternative Wallace described, that unconscious fear that comes with belonging nowhere and being needed by no one, is just too frightening. We have no choice but to grind it out, day after day, and in the process understand ourselves just a little bit more.

Mr. Sentimental

It happened twice recently: I looked up from what I was doing and saw Carter crying quietly to himself. It’s not unusual for him to cry—it happens about once a day for one reason or another—but usually it’s preceded by getting in trouble or an argument with his little sister, and in most of those cases the tears are big, theatrical, stage tears that can be turned on and off like a tap. But the two times I’m talking about weren’t an act. He was legitimately upset, his mouth turned up in a sad little grimace while he tried to wipe away the tears and hide them from me.

The first time, he was looking at a laminated piece of orange construction paper Sadie brought home on the last day at her old day care before she started preschool this fall. Her handprint was pressed onto the page with purple paint, and one of her teachers had written something on it about how fast she was growing up and how much she learned at school. She brought home lots of “arts and crafts” like that where the kids smeared some paint around and the teachers dressed it up into a keepsake. Debbie asked him why he was crying and he said, “I just remember all the good times when we played together after we picked her up from school.”

Carter came with us only about once out of every five times we picked up Sadie from day care, but he’s right. He did have fun horsing around with the little kids when he came along. We told him that he didn’t have to be sad because we’d have a lot more good times, and he cheered up. “I’m not crying because I’m sad, it’s because I’m happy,” he said.

About a week later he and I were sitting on the couch together before dinner. We have an Apple TV hooked up to our TV, and I set it up to show a slideshow of family pictures when it’s not playing videos or music. I was reading something on my phone, and then I looked over and saw him crying again. He said it was because he was looking at all the pictures on the TV from when he was little: snapshots of us at the park, going to ballgames, vacations at the beach. Again, he insisted that he was crying “happy tears,” but I reached over and hugged him and didn’t want to let go.

I’m not surprised he’s developing a sentimental streak. He gets it directly from me, just as I inherited mine directly from my dad. The longer I sit and watch those pictures float by on the TV screen, the more likely I am to choke up too. Carter has been playing with my old baseball cards lately, pulling out old Fleer and Score sets from 1989 and sorting them into teams on the floor of his bedroom. It’s enough nostalgia to make me lightheaded and have to sit down every time I walk by and see him clutching a stack of Terry Pendletons and Pedro Guerreros. And while the inscription on Sadie’s poster was cheesy in a Hallmark card kind of way, when presented on a milestone day with her little handprint in the middle, it got to me too. I’d be worried about my qualifications as a parent if I didn’t get choked up at the sight of my three-year-old’s palm preserved for posterity. But I’m surprised that Carter is feeling it so acutely already.

Most of those pictures he saw on the TV that night were from before he started school, back when I was still at home with him full-time, hanging out at the park all day, going to lunch at Manny’s and visiting Shedd Aquarium once a week. It was quite the life. Now that I’m back at work at and he’s in first grade, with homework and a little sister who knows how to push his buttons, life is more complicated for both of us.

I can see why he would look back get a little nostalgic. I miss those days when it felt like we had all the time in the world too. But it’s greatly oversimplifying the matter to say that it was easy and carefree back then. That time had its own set of frustrations that I’d rather not revisit, like changing diapers and waking up three times a night, to name a few. Nostalgia is tricky like that. We don’t take pictures of all the temper tantrums and food-stained clothes and put them into slideshows.

He probably doesn’t understand why he was crying, but I worry about what’s going on in his head. Is he just experiencing a normal emotion that runs in the family, or is he truly unhappy when he compares his life now to what it used to be? The rational part of me knows that it’s the former, but if there’s one thing parenting is good at, it’s making sure you feel like you’re doing it all wrong. It’s dangerous to try to make sense of the emotions of a six-year-old, but I worry that somewhere among all the work, errands, chores, and maybe trying to squeeze in a little time for myself, I’m screwing it up for the kids.

Last week I saw Jonathan Franzen speak at a panel for the Chicago Humanities Festival. During a question and answer period at the end of the talk, someone asked him about if the ending of his last novel, Freedom, was supposed to be happy or sad. “Things don’t turn out the way we want them to,” he said. “I would prefer to complicate the question.”

One of the great accomplishments of Freedom is that it resists that kind of categorization into happy or sad. It’s complicated, with an ambiguous ending and ambiguous characters who muddle through it every day, like we all do. Walter and Patty Berglund are both heroic and loathsome. They make mistakes. They hurt the people around them, but they show an immense capability for compassion and humanity too. Books like that don’t make sense until long after you put them down and think about them, if they ever do.

Though he doesn’t know it yet, I hope Carter is learning the same thing about life. Sometimes it’s happy. Sometimes it’s sad. Sometimes it’s a little of both. It probably won’t ever really make sense until it’s too late, and in that way, it’s like reading a good book. It’s complicated.

How to Order a Corned Beef Sandwich at Manny’s Cafeteria and Delicatessen

New Yorkers will try to tell you that they can make a better hot dog than Chicago, as if a gray, rubbery frank served by some guy in a dirty apron on a street corner is better than a Chicago-style garden on a bun. And don’t you dare let them tell you their pizza is better. Folding a cardboard-thin slice in half to drain the grease and make it edible is not a selling point. But they might have us beat in one food category: the deli.

For such a big city full of huge appetites (and huge bellies), the deli lineup in Chicago is surprisingly thin. The classic Jewish delis are either take-out style groceries like Ashkenaz or antiseptic, yuppie facsimiles like Eleven City Diner or Max & Benny’s. But what we lack in good places for lox and schmear, we make up for in one magnificent sandwich: the corned beef at Manny’s.

Manny’s Cafeteria and Delicatessen in the South Loop on Jefferson near Roosevelt doesn’t qualify strictly as a deli. The “cafeteria” part of its name is more apt. They serve everything from short ribs to spaghetti and meatballs, and while you can get smoked fish and chopped liver, it’s not why you go there. Manny’s is best known for its heaping corned beef sandwiches, a pile of sliced meat so huge that the bread is a mere afterthought, something placed on top not out of necessity but mere custom, like a paper umbrella in a tropical drink. Throw in a potato pancake the size of your hand and a couple dill pickle spears, and two adults could split the plate and still leave fully sated.

The corned beef at Manny’s is so epic that I feel the need to offer this guide to ordering it properly. If you just want a sandwich, go to Jimmy John’s or *shudder* a Subway. Don’t waste your time at Manny’s, for this is the corned beef of statesmen. Mayor Daley was a regular there, hosting his “corned beef and a handshake” fundraisers. Our current honey badger of a mayor Rahm Emanuel frequents the place, and President Obama himself gets the corned beef and cherry pie to go when he’s in town. No, you don’t just saunter into Manny’s and ask for a sandwich. You conduct yourself with the gravitas it deserves, nay, demands.

When you first enter Manny’s, you’re confronted with a large menu board listing the selections for the day. You can disregard this sign for now. While the other food at Manny’s is delicious too—I personally recommend the beef stew and a knish with gravy—you can branch out later once you’ve mastered the corned beef.

Pick up your tray and utensils, and slide them down the aluminum railing in front of the steam table with the various hot entrees and sides. A man with a mustache will greet you and ask you what you would like. He might be black, he might be white, he might be Hispanic, but he will have a mustache. This is a recurring theme at Manny’s. Tell the man with the mustache no thank you, you’re here for the corned beef, and keep sliding your tray down the line.

At the middle of the line, another man with a mustache standing by a meat slicer will greet you. Take a moment to watch him work, moving the steaming slabs of corned beef and pastrami back and forth across the spinning blade, collecting the glistening, scarlet morsels for each meal with a fork. This isn’t mere food service, it’s craftsmanship. Look the man with the mustache in the eye and tell him you’d like a corned beef sandwich. Be assertive. He will then ask what kind of bread you want: rye or an onion roll. Personally I prefer rye, but it doesn’t really matter because the bread is secondary once you start eating.

At this point you should also ask for a potato pancake. Pickles come standard, and requests for additional spears are welcome, especially if you’re dining with children. The man with the mustache will also be happy to give you an extra plate if you’re sharing with others, just don’t ask him to split the sandwich for you. He’s standing next to a razor-sharp spinning blade, slicing the corned beef of presidents. Hasn’t he done enough for you already?

Once you’ve collected your offering, keep walking down the line toward the cold sides and desserts. What you choose here is up to you, but keep in mind the sheer quantity of meat you’re about to consume. Barack Obama might order the cherry pie, but I bet Michelle doesn’t let him eat the whole thing at once when he brings it home. The point here is to enjoy a meal, not rupture your colon.

Next come the drinks. You’ll see different types of Coca Cola products, lemonade, etc, but the only acceptable thing to get is a can Dr. Brown’s cherry soda. True, most of the time the can isn’t very cold, but you can get a cup of ice if you’re going to be picky. Besides, you’re missing the point if you get stuck on this.

Turn the corner, and at the end of the line a woman in a hairnet (and possibly a mustache) will tally up your order and hand you a receipt. Do not attempt to pay the woman in the hairnet, and don’t lose this receipt. You’ll need it to pay at the cash register by the door as you leave. I like to think the woman in the hairnet is there to judge your food selections. If you’ve done it right, she’ll hand you the receipt and give you what we’ll call “the Chicago nod.”

Eating the corned beef at Manny’s could take up another 1,000 words of instructions, so I won’t go into details now. What I can say is that there’s no wrong way to do it. You’ll quickly realize that you need to eat at least half the corned beef with a fork before you can attempt to pick it up like a proper sandwich. Yellow mustard is supposedly the standard condiment, but I prefer the horseradish or brown mustard for a little kick. Take your time. Enjoy your meal. No one is rushing you. They even have Wifi at Manny’s now if you want to post a snapshot of your meal on some trendy social network.

When you’re finished, leave your tray and another man with a mustache will bus the table for you. Pay your tab at the cashier, leave a big tip, and grab a pack of gum or some Mentos for the road. Walk out onto Jefferson Street and listen to the throb and hum of your city. You’ve just eaten the best sandwich of your life.

Watch me read this piece at Tuesday Funk, a monthly reading series at the Hopleaf in Chicago

Reading by Example

I.

My son Carter is reading Harry Potter at six years old. I’m not saying that to brag (okay, maybe a little), but it’s important to the story. He made his way through the first three books pretty well, but I know that each book in the series is progressively longer and more complex, especially for a six-year-old, and as I expected he started to slow down by The Goblet of Fire. He finished it with an assist from me, reading together each night before bed, and insisted on starting The Order of the Phoenix right away. After a few weeks though, he had stopped reading it on his own and started asking me to read other books with him at night. I asked him about it, and he admitted it was too hard. We still read it together at night but he spends most of his time now doing other six-year-old boy things like building Legos and driving his little sister crazy.

II.

My personal theory of parenting centers around the idea that if you want your kids to behave a certain way, you should lead by example. If you want them to be polite and gracious, let them hear you thanking the waitress and witness you holding the door open for little old ladies. If you want them to read, let them see you with a book in your hand, lost in its pages, and show them how important reading is in your life.

Educators and bookish folks are worried enough about getting boys to read that they have a special name for them: “reluctant readers.” In a recent essay in the New York Times Book Review, Robert Lipsyte wrote that a big part of the problem in getting boys to read is finding books they can connect with, that speak to their emotions instead of just pandering to their base instincts. “Boys need to be approached individually with books about their fears, choices, possibilities and relationships,” he wrote. “The kind of reading that will prick their dormant empathy, involve them with fictional characters and lead them into deeper engagement with their own lives.” I read this and thought about what happened with Carter and Harry Potter. My theory of leading by example has worked. He clearly enjoys reading, but I’m afraid that by letting him find his own way and pick out a book that was too hard, he’ll be discouraged from reading more. I managed to turn a willing reader into a reluctant one.

III.

Carter spends a week with my parents at the end of each summer, in the gap between the end of camp and the start of school. They live in the Indianapolis area now, so this year we met them halfway at a Chili’s in Lafayette, Indiana to make the exchange. I’ve learned to expect him to be ornery when he’s excited about something big like a holiday or a trip, but this time he was so bad that when we pulled into the parking lot I made my parents wait outside the car while I let him have it. The problem was that we were 100 miles from home and he was about to spend a week with his grandparents. I couldn’t deploy my best weapons like taking away toys or cutting off TV and the computer, so I spluttered like Yosemite Sam in impotent rage.

Disciplining my kids like that always sets off a cycle of guilt and self-doubt. Later in the restaurant, I sat there eating a Flintstone-sized slab of ribs wondering if it had done any good, feeling bad for sending him off for the week on such a bad note. For all its rewards, raising children does a number on your self-confidence. What possible lesson could Carter take away from that outburst in the parking lot of a chain restaurant on a freeway interchange? That he should shout and issue empty threats when he doesn’t get his way?

The problem with my method of parenting by example is that I don’t always set the best example myself. It’s getting harder the older he gets, now that we’re past “share with your friends” and “don’t throw sand.” Things like empathy and patience are difficult to teach when I struggle with them myself. That’s why I want him to read, to experience the inner lives of characters who celebrate and suffer, succeed and fail in their own ways so he can learn from their examples too. Books can teach him how to live when I can’t show the way.

IV.

I started a new job recently, a new career in fact. I took three weeks off between jobs and spent a lot of time with Carter. We had fun together hanging out, playing catch at the park and hitting up the 7-Eleven for daily Slurpees, but he understood that I was excited to get started. The night before my first day at the new job we were reading Harry Potter again. I finished a chapter, put the book down, and unprompted, he said, “Good luck on your first day at work tomorrow.” I don’t know if he learned to thoughtful like that from me, his mother or a book. I’m happy with any of the three.

Home Instead

I.

You can see the moon at night from my parents’ house in Poseyville, Indiana. That’s not unusual. You can see the moon from where I live in Chicago too, but here it’s more of an afterthought, a blip in the ambient light of the city competing with the street lamps and headlights of cars that pass by no matter the hour. In Poseyville the moon is the main event, lighting up the whole town and surrounding countryside. On a clear night you can drive without headlights, it’s so bright. I know this because I’ve actually tried.

Poseyville is a farming community of 1,200 in the southwestern corner of the state. My parents built their one-story, three bedroom ranch house with a two-car garage in 1973 for $33,000. It’s the house where I grew up, the only place I lived until I went away to college. I know living in the same house that long is nothing unique either, but after moving four times in the 12 years since I moved to Chicago, it feels like an accomplishment. For me, the concepts of childhood and home have always meant that one place on Cale Street with the big backyard and a basketball hoop in the driveway.

My parents retired last year, and they’ve decided to sell the house and move north to a suburb of Indianapolis. It makes complete sense. They’re both from the Indianapolis area originally, and except for me and some cousins in Seattle, the rest of my extended family lives there too. It will make visiting them easier, turning a six-hour drive through the bleak countryside of central Illinois into a three-hour drive through the slightly less bleak countryside of northern Indiana. We could make a day trip out of it if we wanted to, and it certainly makes a weekend visit more practical. In addition to the logistical advantages it makes life easier for my parents. Poseyville isn’t exactly a commercial hub (the nearest McDonald’s is at a highway interchange 10 miles away), and their new home will be within a few minute’s drive of every restaurant chain and big box store. As my mom pointed out morbidly, “What happens if one of us dies before the other? We don’t want to be stuck here with nothing to do. At least now there’s a Kroger five minutes away.”

II.

A few weeks ago I took my son Carter to Poseyville for one last visit before my parents move for good. He’s always enjoyed his time there so much. The big backyard where he can run in the sprinkler and the quiet streets where he can ride his bike on his own are such a treat for a kid born and raised in the city. My parents held back a stash of my old toys, Hot Wheels and Transformers that they had the good sense to save for the day they had a grandson, and he’s been very worried that they won’t make the move to their new house. For my part, I felt like I needed to see the house one last time before they go (and to reclaim the boxes of baseball cards in my old bedroom that my mom demanded I finally take with me before she threw them away). Once they leave Poseyville, I don’t know when I’ll ever go back. Sure, I’ll go back for a high school reunion someday, but one weekend every five or 10 years is a lot different than regular visits with the family.

On the last night in Poseyville I hung out with my friend Clint, who I’ve known since preschool. He and his wife just had their third baby, and I went to visit them at thier new house in a town called Blairsville about eight miles away. He picked me up at my parents’ house, and on the way out he drove me around town, pointing out where people we knew from school now lived. Nothing much has changed about the town since I left besides the shuffling of names on the mailboxes. As Clint said, “I wouldn’t say it’s dead, but it’s not really doing anything either.” He and I laughed about stories from the good old days and griped about how routine and predictable our lives had become, the kind of things old friends talk about when they realize they’ve become adults with responsibilities.

Clint will never move away from the area like I did. He doesn’t want to, nor does he need to. His entire family is there. He works for his family business running a general store in Poseyville. Just like it makes sense for my parents to move back to where they came from now that they’re retired, it makes sense for Clint to stay there. I made the right decision to move away and start a life in Chicago, but at least when my parents lived in Poseyville I could feel like it was still a little part of my life too. Now that they’re leaving that connection is gone.

III.

The morning Carter and I left, I did my usual last minute sweep of the house to make sure we packed everything. I made a point of taking one last look at my old bedroom in the back of the house, expecting to choke up as a wave of nostalgia hit me full in the face. Instead of welling up with tears though, I felt nothing. My old room isn’t the same. After I went away to college my parents replaced most of the furniture, bought a new bed, moved the bookshelf to the other side of the room, bought new blinds. They took down all the posters of baseball players and rappers I had Scotch-taped to the walls and repainted, and threw out the Nerf hoop over the closet door. The room that would have made me choke up doesn’t exist anymore, just like the town where I grew up. Clint is right that Poseyville hasn’t changed, but I don’t see it through the same lens. It’s not the same place as when we were playing army in the backyard or driving home from football practice. I’ve moved on, and now that the house where I grew up will soon belong to someone else, some other young couple starting a family just like my parents 38 years ago, it’s fixed firmly in the past.

After I left the house, Carter and I packed up the car and backed out of the driveway, the trunk loaded down with some 10,000 baseball cards. As I turned the corner away from Cale Street, I craned my neck to catch one a final glimpse before another house blocked the view. Then we drove out of town, headed for the interstate, and made our way back north, to home.

First Glove

My first baseball glove sits on a bookshelf in my home office. I left it at my parents’ house when I went to college (I had been through a couple more gloves by then), but I reclaimed it when I moved out for good and left for Chicago. It’s dry and brittle, and the fingers are curved around the old ball I keep stuffed in pocket with the name of my Little League team—Poseyville I—written on it in Sharpie. The glove is a MacGregor G19T, branded all around with slogans like “Flex Action,” “Adjusta-wrist,” “Lattice Weave,” and “The Athlete’s Choice.” The lining inside is shredded from years of sweat and dirt and wear, and it’s a little small for my hand now, but it’s still serviceable. Baseball gloves are like that. The basic design and build is no different from one you could buy today, and with a little glove oil and a tug on the strings, even a 30-year-old model could be ready for a game.

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Still Holding the Leash

Maybe dogs are destined to break my heart. I was terrified of them as a kid, for no good reason other than that we didn’t have one of our own. One day when I was eight or nine, I was riding past a neighbor’s house on my bike when their Irish setter Max was running loose outside his pen. I panicked, tore off on my Huffy screaming, and he chased me down and bit me on the thigh. The wound was nothing serious, but later Max was gone. My parents told me the neighbors sent him away to some relatives out in the country, which was entirely plausible given where we lived in a small town, but I also never knew if that was the old trick adults play on kids when a dog really goes off to the big farm in the sky.

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Banksy, Mr. Brainwash, and the Legitmacy of an Artist

My wife and I have a streaming-only Netflix subscription that we watch on the big TV through a magic box called a Roku. We got Netflix mainly for the kids–it’s pretty hard to beat an endless supply of Dora and Spongebob for $8 a month–but we’ve also enjoyed the easy access to grown up films. Netflix doesn’t offer their top shelf selections for streaming so we can’t always get our first choice of new blockbusters, but we’ve always been able to find something good. This weekend was Banksy’s “Exit Through the Gift Shop.”

The Academy Award-nominated film purports to be a documentary about Thierry Guetta, an affable Frenchman living in Los Angeles, who is an amateur filmmaker who later becomes a breakout artist, with an assist from Banksy himself. Guetta had a habit of filming nearly every moment of his life, and eventually started tagging along with street artists like Shepard Fairey and Space Invader, documenting their exploits as they bomb the streets of LA and Paris. He envisioned a grand project of documenting the burgeoning street art movement at its inception, which led him to Banksy, by then already famous for his graffiti stunts around the world.

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Albert Pujols, Jack Clark, and Our Loyalty to Clothes

The Albert Pujols will-he-won’t-he sign deadline passed last week, and now the best baseball player on the planet stands to become a free agent after the season. Rumor has it he was asking the Cardinals for $300 million, the richest contract ever, and the baseball stat wonks say he’d be worth every penny. He’s put together perhaps the best first 10 seasons of any player, and one would expect he can produce at the same level for at least another five (and the next five probably better than most hitters).

As a Cardinals fan, I obviously have a rooting interest in seeing the best player in the game stay with my team. Albert has said repeatedly that he wants to finish his career in St. Louis, and the Cardinals clearly have it in their best interests to sign him. It’s good for baseball for its marquee player to stick with one of its proudest franchises, and if ever a player was destined to show some loyalty, it was this player and this team. But so was LeBron James to Cleveland. Ask a Cavs fan how he feels about loyalty now.

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